It is a stunningly beautiful day and I actually was able to coax Penny out of the house to sleep on the patio while I write. She gets intimidated by the commotion of sounds from lawn mowers and various activities within earshot of our house during the day so she has a hard time settling down out here. Mondays are good, though, once everyone is back at work and it's just us and the birds and breeze.
Birds and breeze and ducklings and deliciously perfumed air as the lilacs and honeysuckle envelop this place with their scent...it's an odd space from which to write about death.
As I am gearing up for the next several days of writing after the weekend (and last night's outstanding Waterline Writers event), I found I didn't have a clear starting point for today's writing so I thought I'd flip through the sizeable stack of vignettes I have written to see what might need an editorial eye to the degree that matches my energy. I chose three to work on, all of the "Dear Diary" variety (my internal processing of the external events), one from the spring before my Dad died, one shortly after Michael died and on from the spring the spring of the following year.
It's a challenge to go back and re-embody those feelings, especially when today is so peaceful and beautiful and I have a dog conked out on a big pile of blankets next to me. But then again, maybe it will make for better writing because I'm having to work to make the scene on the page become as vivid as the scene in which I now sit. When you are in the midst of grief, so much seems self evident that never makes it on to the page. But in the light of a day three years later, you see how much more there was to say, maybe not in quantity of words, but in depth.
Maybe that is why some books take so long to write. The vantage point I am currently writing from is making me more aware, rather than less, of what the impact was of the events that transpired. At first I was worried that if I didn't get everything down right away I would lose vital pieces of information, or lose some memories all together. That may be partially true as this or that detail becomes uncoupled from chronology and some of the jigsaw pieces have rearranged themselves, but in other respects the parts that have remained vivid feel more integrated and whole.
It's like when you deal with the belongings in someone's estate...you don't want to throw out so much as a paperclip early on because it is ALL significant. What if this was their lucky paperclip? Or their favorite? Do you have paperclips at home or will you foolishly realize you need to buy one just after you toss this one out? How many paperclips are needed to make them a sensible collection to pass on to someone else who might use them? How many unnecessary paperclips are cluttering up our landfills? What defines usefulness?
It's like that with memories and details, too. What is essential, not just to a book, but to oneself in preserving the story of your life and the lives of those you love? You can't keep it all. If you try, where will you fit your own life? What about your own collection of lucky paperclips? You can't make yourself into a living grotto dedicated to the preservation of someone else's life as much as you might be tempted to try (or feel you should out of respect).
So the question becomes, what is powerful enough and important enough that you still want to tell it, if only to yourself, on a gorgeous spring day?
No small question.
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